「火墨」(Fiery Ink)系列以燒灼的宣紙炭灰取代傳統的水墨材質,將原本傳統經典的「水墨」山水畫置換為「火墨」山水畫,藉以凸顯氣候變遷下的古今山水變異。原本傳統水墨山水畫的潤墨空氣,變成了充滿霾害空汙的燥墨空氣。「火墨」系列隱射現今全球暖化日常空氣的霾害危機,同時也轉換了傳統山水畫論裡的墨性美學語境,使當代山水畫真正進入現代性語境。---袁慧莉
The "Fiery Ink" series replaces the Chinese classical "ink" landscape painting material with a burning xuen paper charcoal, replacing "Moist ink" form to "Burnt ink" form. "Fiery Ink" has metaphor the crisis of global air pollution in 21 century, and it has also transformed the traditional landscape painting aesthetic context enter to the modernity context.---By Yuan, Hui-Li
The "Fiery Ink" series replaces the Chinese classical "ink" landscape painting material with a burning xuen paper charcoal, replacing "Moist ink" form to "Burnt ink" form. "Fiery Ink" has metaphor the crisis of global air pollution in 21 century, and it has also transformed the traditional landscape painting aesthetic context enter to the modernity context.---By Yuan, Hui-Li
2022
2022
火墨.唐寅《雲山圖》
Fiery Ink, Displacing Tang Yin’s Cloudy Mountain
宣紙炭灰.宣紙裱板.壓克力木框
Rice paper ash on rice paper and wood board
120 x 51.5cm
火墨.唐寅《雲山圖》
Fiery Ink, Displacing Tang Yin’s Cloudy Mountain
宣紙炭灰.宣紙裱板.壓克力木框
Rice paper ash on rice paper and wood board
120 x 51.5cm
2018
2017
2017 年「火墨」系列 正式於台北內湖耿畫廊舉行個展「墨的兩種呼吸方式」
2017 Fiery Ink series had showed in solo exhibition "Moist and Burnt : As Ink Breathes" at Tina Keng Gallery, Taipei, Taiwan
2017 Fiery Ink series had showed in solo exhibition "Moist and Burnt : As Ink Breathes" at Tina Keng Gallery, Taipei, Taiwan
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