2013-Now
類山水系列
「在袁慧莉作品世界內的山石究竟是什麼呢？我們可以看到她的作品中認知到做為「物」繪畫的主題之外。「物」對於畫家而言，不只具有著客觀的意義，更具有著主觀意義。在經過畫家主體意識咀嚼著主客交互詰問的筆下，這樣超現實的「物」才現實地出現在我們面前。在畫作中做為對象的山石，可以說是畫家在主體意識世界裡的另一種天人合一（主體和客體合一）的世界觀，也就是袁慧莉所說的「差異之合」，其呈獻給觀者的是看似做為理念山水中山石的視覺世界、一個客觀的世界，結果在其中卻隱含了主觀與客觀、主體與客體、內與外多層次的交互思維往復迴旋所糾纏的「複數世界」，由此，亦可看出袁慧莉的山石似乎在具象與抽象之間尋求一種相互矛盾、對立又相互關聯成「絕對矛盾的自我統一」（西田幾多郎 (1870-1945)「場所」）的世界，但是，西田的「場所」概念是一種有距離的、理想的哲學場所，而袁慧莉山水作品裡的物之意念則是源其日常生活場所經驗的轉化，這種轉化就是我所說的「物化」。」---文真姬, 2014
“What are the rocks in the realm of Yuan Hui-Li’s works? It is clear that the theme of her work is external to the cognitive “objects” of painting. For the artist, “objects” carry subjective connotations beyond their objective meaning. The surrealistic “object” appears in front of us through the brush after it is digested and cross-examined through the artist’s subjective consciousness. The rocks that are the subjects of a painting can be said to be another sort of heaven and earth as one (the subjective and objective as one) in the subjective consciousness of the artist, which is to say that what Yuan Hui-Li refers to as “a unity of difference” presents a visual world, an objective world, that seemingly conceptualizes the rocks in landscape paintings, actually implies a “Plural World” of multiple layers of interchanging thought tangled and reverberating between the objective and subjective, the object and the subject, the external and internal. Yuan Hui-Li’s rocks seem to seek a mutually paradoxical, opositional, yet mutually related world of “self-unified absolute paradox” (Kitaro Nishida ‘s (1870-1945) “Bansho”) between the representational and the abstract. But Nishida’s “bansho” concept is a distant, idealized philosophical space, whereas the objects in Yuan Hui-Li’s landscape work are transformations that originate in the experiences in the realm of daily life. These transformations are what I call “materialization.”” ---Art critique by Moon Jung-hee, 2014
“What are the rocks in the realm of Yuan Hui-Li’s works? It is clear that the theme of her work is external to the cognitive “objects” of painting. For the artist, “objects” carry subjective connotations beyond their objective meaning. The surrealistic “object” appears in front of us through the brush after it is digested and cross-examined through the artist’s subjective consciousness. The rocks that are the subjects of a painting can be said to be another sort of heaven and earth as one (the subjective and objective as one) in the subjective consciousness of the artist, which is to say that what Yuan Hui-Li refers to as “a unity of difference” presents a visual world, an objective world, that seemingly conceptualizes the rocks in landscape paintings, actually implies a “Plural World” of multiple layers of interchanging thought tangled and reverberating between the objective and subjective, the object and the subject, the external and internal. Yuan Hui-Li’s rocks seem to seek a mutually paradoxical, opositional, yet mutually related world of “self-unified absolute paradox” (Kitaro Nishida ‘s (1870-1945) “Bansho”) between the representational and the abstract. But Nishida’s “bansho” concept is a distant, idealized philosophical space, whereas the objects in Yuan Hui-Li’s landscape work are transformations that originate in the experiences in the realm of daily life. These transformations are what I call “materialization.”” ---Art critique by Moon Jung-hee, 2014
2020
類山水no.67
THEY Shanshui no.67
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
49x228cm
類山水no.67
THEY Shanshui no.67
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
49x228cm
2019
類山水no.66 (五連屏)
THEY Shanshui no.66 (5 in 1)
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
65 x 130 cm x 5 pieces (65x650cm)
類山水no.66 (五連屏)
THEY Shanshui no.66 (5 in 1)
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
65 x 130 cm x 5 pieces (65x650cm)
2019
類山水no.63
THEY Shanshui no.63
韓國手抄紙．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
76 x 123 cm
類山水no.63
THEY Shanshui no.63
韓國手抄紙．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
76 x 123 cm
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2019
類山水no.64 THEY Shanshui no.64 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 74 x 93 cm |
2019
類山水no.65 THEY Shanshui no.65 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 49.5 x 56.5 cm |
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2019
類山水no.61 THEY Shanshui no.61 韓國手抄紙．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 76 x 123 cm |
2019
類山水no.62 THEY Shanshui no.62 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66 x 89 cm |
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2018
類山水no.59 THEY Shanshui no.59 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66 x 132 cm |
2018
類山水no.60 THEY Shanshui no.60 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66 x 132 cm |
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2018
類山水no.58 (六合一) THEY Shanshui no.58 (6 in one) 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 49.9 x 57 cm x6 ps （149.7x114cm:） |
2019
PS類山水no.01（1/1） PS THEY no.01 (1/1) 數位創作版畫．微噴油畫布 （限量50版） Original creation by digital and print on canvas （ Limited edition of 50) 30 x60 cm |
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2018
類山水no.56 THEY Shanshui no.56 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 87.5 x 133 cm |
2018
類山水no.57 THEY Shanshui no.57 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 82 x 124.5 cm |
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2018
類山水no.54 THEY Shanshui no.54 灑金淨皮宣．彩墨泥金 color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper 92.8 x 174 cm |
2018
類山水no.55 THEY Shanshui no.55 灑金淨皮宣．彩墨泥金 color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper 92.8 x 174 cm |
2015
類山水no44-.47：島嶼之四季 ( 4組件)
THEY Shanshui no.44-47：Four seasons of The Island ( four pieces)
灑金淨皮宣．彩墨
color and ink (and golden glue) on sprinkle gold-leaf Chinese handmade paper
66 x 133 cm x 4 pieces
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2016
類山水no.48 THEY Shanshui no.48 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 45x177cm |
2016
類山水no.52 Ambiguous World no.52 絹．彩墨泥金 color, ink and golden glue on silk 45x177cm |
2016
類山水no.50 Ambiguous World no.50 日本金潛紙．彩墨泥金 color, ink and golden glue on sprinkle gold-leaf Chinese handmade paper 50x99.8cm 
2016
類山水no.53 Ambiguous World no.53 灑金淨皮宣．彩墨泥金 color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper 49.7 x 49.9 cm |
2016
類山水no.51 Ambiguous World no.51 灑金淨皮宣．彩墨泥金 color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper 133x66cm |
2016
類山水no.49
THEY Shanshui no.49
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
49x228cm
類山水no.49
THEY Shanshui no.49
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
49x228cm
2013
類山水no.43
Ambiguous World no.43
灑金淨皮宣．彩墨泥金
color, ink and golden glue on sprinkle gold-leaf Chinese handmade paper
50x228cm
類山水no.43
Ambiguous World no.43
灑金淨皮宣．彩墨泥金
color, ink and golden glue on sprinkle gold-leaf Chinese handmade paper
50x228cm
2014
類山水 no.41
Ambiguous World no.41
玉版宣彩墨
color and ink on Chinese handmade paper
144x365cm
類山水 no.41
Ambiguous World no.41
玉版宣彩墨
color and ink on Chinese handmade paper
144x365cm
2013
類山水no.37
Ambiguous World no.37
玉版宣．彩墨泥金
color, ink and golden glue on Chinese handmade paper
144x365cm
類山水no.37
Ambiguous World no.37
玉版宣．彩墨泥金
color, ink and golden glue on Chinese handmade paper
144x365cm
2013
類山水no.38 Ambiguous World no.38 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 48.5x228cm 
2015
類山水no.42 Ambiguous World no.42 灑金淨皮宣．彩墨泥金 color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper 49x115cm 
2013
類山水no.39 Ambiguous World no.39 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 174x93cm |
2015
類山水no.47：島之冬 Ambiguous World no.47：Winter 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66x133cm 
2015
類山水no.46:：島之秋 Ambiguous World no.46：Autumn 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66x133cm 
2015
類山水no.44：島之春 Ambiguous World no.44：Spring 灑金淨皮宣．彩墨 color and ink on sprinkle gold-leaf Chinese handmade paper 66x133cm 
2015
類山水no.45：島之夏 Ambiguous World no.45：Summer 灑金淨皮宣．彩墨泥金 color, ink and golden glue on sprinkle gold-leaf Chinese handmade paper 66x133cm |
2014
類山水no.40
Ambiguous World no.40
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
65.5x131cm
類山水no.40
Ambiguous World no.40
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
65.5x131cm