焦墨排點皴的雙重性:張光賓晚期(2005-)焦墨山水的傳承與變革
The Duality of “JaoMoPaiDian Chun”:Deconstruction and Transformation in Chang Kuang-Bin’s Dotto-Line Ink Stroke in his Later period of Chinese Landscape Paintings
The Duality of “JaoMoPaiDian Chun”:Deconstruction and Transformation in Chang Kuang-Bin’s Dotto-Line Ink Stroke in his Later period of Chinese Landscape Paintings
小論文
Theory |
![]()
|