焦墨排點皴的雙重性：張光賓晚期（2005-）焦墨山水的傳承與變革
The Duality of “JaoMoPaiDian Chun”:Deconstruction and Transformation in Chang Kuang-Bin’s Dotto-Line Ink Stroke in his Later period of Chinese Landscape Paintings
The Duality of “JaoMoPaiDian Chun”:Deconstruction and Transformation in Chang Kuang-Bin’s Dotto-Line Ink Stroke in his Later period of Chinese Landscape Paintings
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小論文
Theory |
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