2013-2017
時間之漬系列
「時間之漬」系列以筆墨點漬,探討經過時間堆疊千萬墨漬之後,與紙張物性之間所產生的內在層次空間狀態。
以無數的點漬與紙張之間由少而多的狀態,彰顯因多而少的相對性,隱喻人生與時間的關係,就如同白紙與墨漬,人生經過的時日越多,剩下空白的歲月時間也越來越少,多與少之間是相對依附的存在關係。---袁慧莉
以無數的點漬與紙張之間由少而多的狀態,彰顯因多而少的相對性,隱喻人生與時間的關係,就如同白紙與墨漬,人生經過的時日越多,剩下空白的歲月時間也越來越少,多與少之間是相對依附的存在關係。---袁慧莉
「她試圖把對石頭的物性探討,視作為山水理念物化最基本的存在本質,而這裡的「物」對象,不是指稱特別、個別物,而是我們人類日常生活可知覺、可思考的等等稀疏平常的對象物。而這樣的「物」是脫離具體的存在,不具有著人類固有思考型態,當它做為山石本質的「物」,是在時間內存在的經驗對象(客體),同時也是時間、空間的對象。」---文真姬, 2014
“…she attempts to explore the thingness of rocks as the fundamental element of existence for materializing the landscape concept. The target “object” here doesn’t refer to a special, individual matter, but an ordinary thing in the daily lives of humans that can be perceived and contemplated. This sort of “object” is removed from its concrete existence, does not have the inherently human thought processes. It is an object with the nature of rocks, and a target (object) of experience that exists in time, as well as an object of time and space.” ---Art critique by Moon Jung-hee, 2014
“…she attempts to explore the thingness of rocks as the fundamental element of existence for materializing the landscape concept. The target “object” here doesn’t refer to a special, individual matter, but an ordinary thing in the daily lives of humans that can be perceived and contemplated. This sort of “object” is removed from its concrete existence, does not have the inherently human thought processes. It is an object with the nature of rocks, and a target (object) of experience that exists in time, as well as an object of time and space.” ---Art critique by Moon Jung-hee, 2014