2008
青綠太虛長卷
「袁慧莉筆下的石頭，越來越遠離相的沾滯而成了一個有機體，…能產生如此豐富的多變畫體，一方面是她自我整合的過程，另一方面，是對中國繪畫思想所進行的反思，從墨色、材質、形制、運筆、皴法、宇宙觀，一路展開的提問未曾停止。在她的認知裡，創新不見得是要另起爐灶，傳統命題反而是最好的思辯對象，先從古畫「了法」再來追求「變法」，從古典開拓視野極其遼闊，不需懼怕拘泥自縛…」---陳莘, 2014
“Under Yuan Hui‐Li’s brush, rocks leave their inhibitions behind and become organic bodies. …To produce paintings that are rich and ever‐changing depends partly on her process of self-composition, and partly on ruminating on the philosophies of Chinese painting: from the ink color, medium, form, brushstrokes, texture strokes, a view of the universe--‐ceaselessly questioning along the way. In her understanding, innovation does not require building a new forge. Tradition itself is a worthy candidate for debate. To begin from the “method for understanding” of ancient paintings, and then seek out “methods for transformation”; to uncover the panoramic views from the vantage point of the classical without tying oneself down or being mired in fear.” --- Art critiqued by Chen Hsin, 2014
“Under Yuan Hui‐Li’s brush, rocks leave their inhibitions behind and become organic bodies. …To produce paintings that are rich and ever‐changing depends partly on her process of self-composition, and partly on ruminating on the philosophies of Chinese painting: from the ink color, medium, form, brushstrokes, texture strokes, a view of the universe--‐ceaselessly questioning along the way. In her understanding, innovation does not require building a new forge. Tradition itself is a worthy candidate for debate. To begin from the “method for understanding” of ancient paintings, and then seek out “methods for transformation”; to uncover the panoramic views from the vantage point of the classical without tying oneself down or being mired in fear.” --- Art critiqued by Chen Hsin, 2014
2008
青綠太虛長卷
Hyperreality Of Green Scroll
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
70x720cm
青綠太虛長卷
Hyperreality Of Green Scroll
灑金淨皮宣．彩墨
color and ink on sprinkle gold-leaf Chinese handmade paper
70x720cm