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2007

金庭太虛長卷

Hyperreality Of JingTing Scroll

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「袁慧莉筆下的石頭,越來越遠離相的沾滯而成了一個有機體,…能產生如此豐富的多變畫體,一方面是她自我整合的過程,另一方面,是對中國繪畫思想所進行的反思,從墨色、材質、形制、運筆、皴法、宇宙觀,一路展開的提問未曾停止。在她的認知裡,創新不見得是要另起爐灶,傳統命題反而是最好的思辯對象,先從古畫「了法」再來追求「變法」,從古典開拓視野極其遼闊,不需懼怕拘泥自縛…」---陳莘, 2014
“Under Yuan Hui‐Li’s brush, rocks leave their inhibitions behind and become organic bodies. …To produce paintings that are rich and ever‐changing depends partly on her process of self-composition, and partly on ruminating on the philosophies of Chinese painting: from the ink color, medium, form, brushstrokes, texture strokes, a view of the universe--‐ceaselessly questioning along the way. In her understanding, innovation does not require building a new forge. Tradition itself is a worthy candidate for debate. To begin from the “method for understanding” of ancient paintings, and then seek out “methods for transformation”; to uncover the panoramic views from the vantage point of the classical without tying oneself down or being mired in fear.” --- Art critiqued by Chen Hsin, 2014

图片
2007
金庭太虛長卷
Hyperreality Of JingTing Scroll
灑金淨皮宣.彩墨泥金
color,ink and golden glue on sprinkle gold-leaf Chinese handmade paper

50x720cm

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  • Home
  • comments 評文
  • Works 作品
  • CV. 簡歷
  • Exhibitions 展歷
    • 個展 solo exhibition
    • 聯展 Group Exhibition
  • Publications 出版
  • Statement
  • Poems
  • Contact