THEY Shanshui 《類山水》
In the THEY Shanshui series, I established my own strokes language. By substituting the naturalism of traditional Cun-fa with an evocative feminine consciousness, I overturn the male-dominated system of landscape painting. I reinterpret the classical ideal of "learning from nature to attain the heart's source," moving toward a purely "inward abstraction." This transformation creates a new frontier for landscape art, marking a profound departure from the past.
《類山水》系列，自創袁氏皴法，以女性意識的情緒性取代古典皴法的自然性，顛覆中國山水畫千年以來男性觀點建構的皴法體系；亦將「外師造化、中得心源」的主客合一美學觀，轉向純然「內在性抽象」的全新詮釋，為山水畫創造與古迥異的新境界。
《類山水》系列，自創袁氏皴法，以女性意識的情緒性取代古典皴法的自然性，顛覆中國山水畫千年以來男性觀點建構的皴法體系；亦將「外師造化、中得心源」的主客合一美學觀，轉向純然「內在性抽象」的全新詮釋，為山水畫創造與古迥異的新境界。
2013-Now
THEY Shanshui
《類山水》
2008-2013
tai-xu series
《太虛系列》
2020-
THEY Shanshui Two Sides Small screens
《類山水小屏風》
2009
Embroider Landscape
《繡山水》
2007
Hyperreality Of juqu Scroll
《具區太虛長卷》
2007
Hyperreality Of green Scroll
《青綠太虛長卷》
2007
Hyperreality Of ZhenZe Scroll
《震澤太虛長卷》
