The Fire Ink project(Ongoing since 2015) employs a fire-ink technique in which paper is burned and its ash transformed into ink landscape. The work closely engages with contemporary phenomena such as 21st-century global warming and air pollution. As a modern ink-based vocabulary, it replaces the “moist essence” of traditional ink painting with the “arid energy” of Fire ink, echoing climatic transformations across both ancient and modern times. Started in 2015, Fire Ink is structured as a trilogy titled the 'Fire Ink Project,' comprising three parts: Displacing the Classical (Part 1), Quotidian Smog(Part 2), and On-site Creation and Installation(Part 3).
The series formerly titled Fiery Ink has been renamed Fire Ink to better reflect the elemental nature and material transformation of the work. The series title has been officially updated to Fire Ink for all works created on or after April 3, 2026.
《火墨計畫》(自2015至今)以火燒宣紙取炭灰作畫，表現當今21世紀地球暖化空污現象，作為當代山水畫另一種墨性語彙，以「火墨」的「燥氣」取代「水墨」的「潤氣」，對應古今氣候變異。《火墨》從2015年開始創作，以變古(Part 1)、霾日常(Part 2)、現地創作裝置(Part 3)作為"火墨計畫"三部曲。
原本《火墨》系列使用英文Fiery Ink, 但2026年04月03日以後創作的火墨作品都改為Fire Ink為英文主標命名，以前的火墨作品則維持原來的譯名。
The series formerly titled Fiery Ink has been renamed Fire Ink to better reflect the elemental nature and material transformation of the work. The series title has been officially updated to Fire Ink for all works created on or after April 3, 2026.
《火墨計畫》(自2015至今)以火燒宣紙取炭灰作畫，表現當今21世紀地球暖化空污現象，作為當代山水畫另一種墨性語彙，以「火墨」的「燥氣」取代「水墨」的「潤氣」，對應古今氣候變異。《火墨》從2015年開始創作，以變古(Part 1)、霾日常(Part 2)、現地創作裝置(Part 3)作為"火墨計畫"三部曲。
原本《火墨》系列使用英文Fiery Ink, 但2026年04月03日以後創作的火墨作品都改為Fire Ink為英文主標命名，以前的火墨作品則維持原來的譯名。
2015-
Fire Ink 1_ Displacing the Classical
《火墨》1_變古
2021-
Fire Ink 2_Quotidian Smog
《火墨》 2_霾日常
