Fiery Ink series at ART BASEL, HONG KONG
《火墨》系列新作於香港巴賽爾藝術博覽會
2026/0325-29
More is Less: Bittersweetness in group exhibition "Walking Their Own Paths_ Women Calligraphers in Contemporary Taiwan", Hengshan calligraphy art center, TMOFA
《時間之漬：悲欣》 參加 "自由自在_台灣當代女性書藝展" 桃園橫山書法藝術館
2025/0905-1201
THEY SHANSHUI SERIES AT ART BASEL, BASEL, Switzerland
《類山水》系列展於瑞士巴賽爾藝術博覽會
2025/0616-22
Fiery Ink series at ART BASEL, HONG KONG
《火墨》系列於香港巴賽爾藝術博覽會
2025/0326-30
solo exhibition Essence Ablution: Inks, Brushes and Embodiment of Yuan Hui-Li’s Shanshui Painting in kaoshiung museum of fine arts,taiwan
個展《元漱：袁慧莉的身.筆.墨》於高雄市立美術館，臺灣
2024/0831-1222
The exhibition lays out the evolution of the artist's creations over 30 years through the lens of the female body/feminine writing, demonstrating how women use their bodies and emotional journeys to portray new styles in contemporary ink painting. The exhibition works begin with the " Discrete Islands " (孤山水) series, where the artist first explored the relationship between brush, ink, and materials, establishing her "Blocky Shanshui " (塊狀山水) style. This showcases the artist's artistic insights and experiences at different periods. Starting from the " Discrete Islands " series, the artist's "Blocky Shanshui " structure is further reconstructed with diverse meanings in the " THEY Shanshui " (類山水) series. After creating her own type of landscape textures using software, the artist produced replicas of ancient paintings or original images, reflecting the consciousness and observations of the contemporary era. Continuing the exploration of " THEY Shanshui ", artist in "Intrinsic Potential Landscape" (勢山水) further attempts to create a contemporary visual effect within the brush and ink. Cross beyond the visual perception, the artist extends her contemplation and expression of "ink" through bodily perception. Works such as "Ice Ink" (冰墨), where the cold ink ice accompanied by the resonating sound of singing bowls spreads on Xuan(Rice) paper into a mono color video piece, and " Fiery Ink " (火墨), which transforms wet ink in response to climate change into burnt and smoky ash, showcase Yuan Hui-Li's practice of sensorial body aesthetics. From the practice of sensorial body aesthetics, looking back at the work " Manual of Yuan’s Texturizing Strokes " (袁氏皴譜), which extended from " THEY Shanshui " ,allows audience to understand how feminine writing transforms traditional texture methods that reference external nature into abstract symbols referring to female inner emotions. Ink begins with lines and ends with texture methods. In " Manual of Yuan’s Texturizing Strokes " the artist constructs a contemporary female writing style that belongs to herself.
MORE IS LESS SERIES AT ART BASEL, HONGKONG
《時間之漬》系列展於香港巴賽爾藝術博覽會
2024/0328-30
fiery ink and they shanshui SERIES featured in group exhibition " Mastering ink" AT ART taipei
《火墨》與《類山水》系列於群展台北國際藝術博覽會"執墨"主題展
2023/1020-23
