Rhythmic Lines, Megalith Of Spirit
舞山水之流形生發系列
2010-2011
Rhythmic Lines, Megalith Of Spirit 1
Color and ink on Xuan paper 舞山水之流形生發1 淨皮宣．彩墨 232x50cm 2010-2011 
Rhythmic Lines, Megalith Of Spirit 3
Color and ink on Xuan paper 《舞山水之流形生發3》 淨皮宣．彩墨 232x50cm 2010-2011 
Rhythmic Lines, Megalith Of Spirit 5
Color and ink on Xuan paper 《舞山水之流形生發5》 淨皮宣．彩墨 232x50cm 2010-2011 
Rhythmic Lines, Megalith Of Spirit 7
Color and ink on Xuan paper 《舞山水之流形生發7》 淨皮宣．彩墨 232x50cm 2010-2011 |
Rhythmic Lines, Megalith Of Spirit 2
Color and ink on Xuan paper 舞山水之流形生發2 淨皮宣．彩墨 232x50cm 2010-2011 
Rhythmic Lines, Megalith Of Spirit 4
Color and ink on Xuan paper 《舞山水之流形生發4》 淨皮宣．彩墨 232x50cm 2010-2011 
Rhythmic Lines, Megalith Of Spirit 6
Color and ink on Xuan paper 《舞山水之流形生發6》 淨皮宣．彩墨 232x50cm 2010-2011 |
The installation of Rhythmic Lines_ Megalith Of Spirit series, Installation
《舞山水之流形生發系列》 裝置現場
《舞山水之流形生發系列》 裝置現場
/Critique專家藝評
“In Yuan Hui-Li’s 2010 series The Megalith of Spirit, her illusionary rocks move a step further into a liberated object nature, transcending and in mutual exchange with the conscious world of humans. The mineral colors on xuan paper in this specific work tacitly reflects the material nature of the rocks, but transcends the material representation and illusionary form of the rock, enabling the rock to contain a reading with increased possibilities, and extending the interpretive space for the concept of rocks, elevating and transforming the realm of landscapes to a brand new territory.” ---Art critiqued by Moon Jung-hee, 2014
「在2010年袁慧莉的《流形生發》系列，可以看到她將幻覺的石頭假象，更進一步跨入一個自由的物性本質，超越地和人類的知覺世界互相交流著，特別是此作品，以宣紙上的礦物顏料影射了石頭的物之本質，卻超越了石頭的物質性表象和幻覺假象，使石頭包容了更多可能性的解讀，擴延了石頭概念的詮釋空間，使山水畫境界提升變化到另外一個新的領域。」---文真姬, 2014
“In Yuan Hui-Li’s 2010 series The Megalith of Spirit, her illusionary rocks move a step further into a liberated object nature, transcending and in mutual exchange with the conscious world of humans. The mineral colors on xuan paper in this specific work tacitly reflects the material nature of the rocks, but transcends the material representation and illusionary form of the rock, enabling the rock to contain a reading with increased possibilities, and extending the interpretive space for the concept of rocks, elevating and transforming the realm of landscapes to a brand new territory.” ---Art critiqued by Moon Jung-hee, 2014
「在2010年袁慧莉的《流形生發》系列，可以看到她將幻覺的石頭假象，更進一步跨入一個自由的物性本質，超越地和人類的知覺世界互相交流著，特別是此作品，以宣紙上的礦物顏料影射了石頭的物之本質，卻超越了石頭的物質性表象和幻覺假象，使石頭包容了更多可能性的解讀，擴延了石頭概念的詮釋空間，使山水畫境界提升變化到另外一個新的領域。」---文真姬, 2014