PS. THEY series (video)
PS. THEY is a series of video works created through digital editing and collage, utilizing the artist’s original THEY Shanshui's Texturizing Stroke blocks as primary material. The series consists of two components, the first involves overlaying the texture marks within classical landscape paintings, while the second features original edited imagery. By substituting classical "naturalistic texture marks" with my own "emotional texture marks," I use feminine consciousness to subvert the centralized, consistent aesthetic of texture structures constructed by ancient Chinese male painters, shifting instead toward a structural logic of pluralistic difference. Furthermore, this process transforms emotional texture marks into metonyms for affective discourse, serving as a metaphor for the contemporary era where a multitude of diverse voices coexist.
PS. THEY系列是以數位影像編輯拼貼的錄像作品,使用的素材為袁慧莉自創的袁氏皴法。這系列有兩個部分,一個是覆蓋古典山水畫中的皴法;一個是自創的編輯圖像。將自創的情緒性皴法取代古典的自然性皴法,不僅以女性意識顛覆古代中國男性山水畫家建構的一致性皴法結構美學,轉向多元差異性的皴法結構,也藉此將情緒性的皴法轉喻為情感話語的指涉,隱喻當代世界是多元聲音並存的時代。
PS. THEY系列是以數位影像編輯拼貼的錄像作品,使用的素材為袁慧莉自創的袁氏皴法。這系列有兩個部分,一個是覆蓋古典山水畫中的皴法;一個是自創的編輯圖像。將自創的情緒性皴法取代古典的自然性皴法,不僅以女性意識顛覆古代中國男性山水畫家建構的一致性皴法結構美學,轉向多元差異性的皴法結構,也藉此將情緒性的皴法轉喻為情感話語的指涉,隱喻當代世界是多元聲音並存的時代。
Displacing Guo Xi's Early Spring in THEY Shanshui
《類山水PS.早春圖》
Displacing Tung Ch’i-ch’ang’s “Wanluo Thatched Cottage Painting” in THEY Shanshui
《類山水PS.董其昌婉孌草堂圖》
《PS. THEY #07》 |
《PS. THEY #02》 |