More is Less (painting)
時間之漬 (平面)
The "More is Less" series is aims to present about Ink Traces of Time project, it includes video and painting with landscape or calligraphy.
It is constantly blends Western abstraction with Eastern landscape painting through the repeated application of ink. Mountains becoming water, and the essence of both mountain and water merge into a unified form, unfurling into a series of free-flowing, unrestrained imageries.
The More is Less series began in 2012 with an exploration into 'time' and 'rupture.' I undertook the transformation of my previously completed 'The Dancing Lines' series. Ultimately, the dancing outlines from the ' The Dancing Lines ' series were disintegrated and fractured by countless ink dots, becoming flowing, spreading fractals, transforming from figuration to abstraction. The very creative process of the 'Ink Stains of Time' series is thus a manifestation of time itself, which is also demonstrated in the animation video.
時間之漬系列是探討筆墨點漬的時間性計畫，包含山水畫與書法的錄像與平面兩部分。
試圖在不斷地點漬筆墨中，融合西方抽象與東方山水意象，山流變為水，山與水之形意合而為一，漫成一幅幅自由奔放的意象。《時間之漬》系列於2012年開始思考「時間」與「破形」，將原本完成的《舞山水系列》作品拿來改造，以無數的積墨點漬瓦解《舞山水》裡原本具體的輪廓線條，破形成流動漫延的碎形，從具象轉變成抽象，《時間之漬》系列的創作過程本身就是時間的映現，這也顯示在動畫錄像中。
It is constantly blends Western abstraction with Eastern landscape painting through the repeated application of ink. Mountains becoming water, and the essence of both mountain and water merge into a unified form, unfurling into a series of free-flowing, unrestrained imageries.
The More is Less series began in 2012 with an exploration into 'time' and 'rupture.' I undertook the transformation of my previously completed 'The Dancing Lines' series. Ultimately, the dancing outlines from the ' The Dancing Lines ' series were disintegrated and fractured by countless ink dots, becoming flowing, spreading fractals, transforming from figuration to abstraction. The very creative process of the 'Ink Stains of Time' series is thus a manifestation of time itself, which is also demonstrated in the animation video.
時間之漬系列是探討筆墨點漬的時間性計畫，包含山水畫與書法的錄像與平面兩部分。
試圖在不斷地點漬筆墨中，融合西方抽象與東方山水意象，山流變為水，山與水之形意合而為一，漫成一幅幅自由奔放的意象。《時間之漬》系列於2012年開始思考「時間」與「破形」，將原本完成的《舞山水系列》作品拿來改造，以無數的積墨點漬瓦解《舞山水》裡原本具體的輪廓線條，破形成流動漫延的碎形，從具象轉變成抽象，《時間之漬》系列的創作過程本身就是時間的映現，這也顯示在動畫錄像中。
More is Less No.14
Color and ink on sized Xuan paper
《時間之漬No.14》
彩墨．蟬翼宣
66x66cm
2013-2018
Color and ink on sized Xuan paper
《時間之漬No.14》
彩墨．蟬翼宣
66x66cm
2013-2018
More is Less No.2
Color and ink on sized Xuan paper
《時間之漬No.2》
彩墨．蟬翼宣
66.4x66cm
2013-2016
Color and ink on sized Xuan paper
《時間之漬No.2》
彩墨．蟬翼宣
66.4x66cm
2013-2016
More is Less No.5
Color and ink on sized Xuan paper
《時間之漬No.5》
彩墨．蟬翼宣
130x65.3cm
2009-2016
Color and ink on sized Xuan paper
《時間之漬No.5》
彩墨．蟬翼宣
130x65.3cm
2009-2016
More is Less No.7
Color and ink on sized Xuan paper
《時間之漬No.7》
彩墨．蟬翼宣
134x66cm
2007-2016
Color and ink on sized Xuan paper
《時間之漬No.7》
彩墨．蟬翼宣
134x66cm
2007-2016
More is Less No.10
Color and ink on sized Xuan paper
《時間之漬No.10》
彩墨．蟬翼宣
133x66cm
2007-2017
Color and ink on sized Xuan paper
《時間之漬No.10》
彩墨．蟬翼宣
133x66cm
2007-2017
More is Less No.6
Color and ink on sized Xuan paper
《時間之漬No.6》
彩墨．蟬翼宣
134x66cm
2007-2016
Color and ink on sized Xuan paper
《時間之漬No.6》
彩墨．蟬翼宣
134x66cm
2007-2016
More is Less No.9
Color and ink on sized Xuan paper
《時間之漬No.9》
彩墨．蟬翼宣
106x66cm
2017
Color and ink on sized Xuan paper
《時間之漬No.9》
彩墨．蟬翼宣
106x66cm
2017
More is Less No.3
Color and ink on sized Xuan paper
《時間之漬No.3》
彩墨．蟬翼宣
103.5x65.5cm
2017
Color and ink on sized Xuan paper
《時間之漬No.3》
彩墨．蟬翼宣
103.5x65.5cm
2017
More is Less No.8
Color and ink on sized Xuan paper
《時間之漬No.8》
彩墨．蟬翼宣
134x66cm
2017
Color and ink on sized Xuan paper
《時間之漬No.8》
彩墨．蟬翼宣
134x66cm
2017