More is Less
(The images changed process )
時間之漬(前圖今影）

2012
時間之漬no.2
More Is Less no.2
蟬翼宣．彩墨
Color and ink on Chinese handmade paper
​66x66cm

More is Less No.2  
Color and ink on sized Xuan paper  
《時間之漬No.2》
彩墨．蟬翼宣 
66.4x66cm
2013-2016 
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Rhythmic Lines 10
Color and ink on sized Xuan paper
舞山水10
彩墨．蟬衣宣
​134x66cm
​2007​

More is Less No.6  
Color and ink on sized Xuan paper  
《時間之漬No.6》
彩墨．蟬翼宣  ​
​134x66cm
​2007-2016​

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Rhythmic Lines 19
Color and ink on sized Xuan paper
舞山水19
彩墨．蟬衣宣
​134x66cm
​2007​

More is Less No.7  
Color and ink on sized Xuan paper   
《時間之漬No.7》
彩墨．蟬翼宣  ​ 
​134x66cm
2007-2016​

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Rhythmic Lines 25
Color and ink on sized Xuan paper
舞山水25
彩墨．蟬衣宣
133x65.6cm
2007​

More is Less No.10  
Color and ink on sized Xuan paper 
《時間之漬No.10》
彩墨．蟬翼宣  ​
​133x65.6cm
2007-2017

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Rhythmic Lines 15
Color and ink on sized Xuan paper
舞山水15
彩墨．蟬衣宣
130x65.3cm
2007

More is Less No.5  
Color and ink on sized Xuan paper 
《時間之漬No.5》
彩墨．蟬翼宣  ​
​130x65.3cm
2007-2017

「她試圖把對石頭的物性探討，視作為山水理念物化最基本的存在本質，而這裡的「物」對象，不是指稱特別、個別物，而是我們人類日常生活可知覺、可思考的等等稀疏平常的對象物。而這樣的「物」是脫離具體的存在，不具有著人類固有思考型態，當它做為山石本質的「物」，是在時間內存在的經驗對象（客體），同時也是時間、空間的對象。」---文真姬, 2014
​“…she attempts to explore the thingness of rocks as the fundamental element of existence for materializing the landscape concept. The target “object” here doesn’t refer to a special, individual matter, but an ordinary thing in the daily lives of humans that can be perceived and contemplated. This sort of “object” is removed from its concrete existence, does not have the inherently human thought processes. It is an object with the nature of rocks, and a target (object) of experience that exists in time, as well as an object of time and space.” ---Art critique by Moon Jung-hee, 2014