袁慧莉

世界是凌亂與秩序的合一體，如何以山水畫傳達這矛盾統一的現象?這是 "勢山水"關心的議題。

凌亂的自動性筆墨與理性控制的塊狀結構，衝突對立且拮抗合作。
​拼貼過程是試圖在凌亂與秩序這兩種力量（勢）之間進行相互交織與協商。
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在無定形無目的的點線面筆墨塗鴉之後，重新拼組一塊塊定形墨塊，於是非定形與定形之間產生觀看邊界的視覺斷裂、落差與曖昧，凌亂與秩序的兩種視覺力量在此交錯出既突兀又彼此共存的矛盾感。
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​​此系列源自1992年的"得山之心 1"拼貼首作，從起始追求淡融協調的紙性墨性的筆墨表現，漸次發展為"孤山水"系列，但在2021年開始轉向以對比與不協調的拮抗拼組中，尋找衝突的秩序感，於是此系列另命名為"勢山水"。

The world is a unified entity of chaos and order.
How can landscape painting convey this paradoxical unity?
​This is the core issue that Intrinsic Potential Landscape addresses.

The chaotic, automatic brushwork and the rationally controlled block structures stand in conflicting opposition yet engage in antagonistic cooperation. The collage process itself is an attempt to interweave and negotiate between these two forces (勢): chaos and order.
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Following the formless, purposeless graffiti of dots, lines, and planes of ink, I reassemble defined ink blocks. This generates visual ruptures, disjunctures, and ambiguities at the viewing boundaries between the undefined and the defined. Here, the two visual forces of chaos and order intertwine, creating a paradoxical sensation that is both abrupt and mutually coexistent.
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This series originates from "Discrete Islands series: In Tune with the Heart of the Mountains no.1" my inaugural collage piece from 1992. Initially, it pursued a subtly harmonious expression of ink on paper, gradually evolving into the "Discrete Islands" series. However, in 2021, my approach shifted towards seeking a sense of order within conflicting and dissonant antagonistic compositions, leading to the re-naming of this series as "Intrinsic Potential Landscape"