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2017

火墨.郭熙《早春圖》No. 2  

Fiery Ink, Replacing The Guo Xi 's Early Spring, No. 2

回作品總頁
​back to artworks

「火墨」的行為裝置作品,透過儀式性的現場行為創作與祭祀性的裝置型式,隱喻著當代生存者佇立在古典水墨的勝景灰燼中,既是對歷史變遷進行唏噓奠祭,亦是透過行為讓「火墨」的觀念性更具有身體性與在場性。
​Through presented a performance/installation piece from the “Fiery Ink” series where she conducts a ritualistic performance that brings forth an installation in the form of worship, as a metaphor for the modern-day survivor surrounded by the remains of what was once transcendental, lamenting the bygone shanshui and the unrelenting passage of time.

火墨.郭熙《早春圖》No. 2    展覽現場與創作行為
           Fiery Ink, Displacing  
Guo Xi's Early  Spring,  No.2        
Performance and Installation in Tina Keng Gallery

圖片

圖片
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2015 /12月火墨作品首次發表 Fiery Ink first published

火墨˙郭熙早春圖no.1, 
​
Fiery Ink, Replacing The Guo Xi 's Early Spring,  No.1 
​2015

北京中央美術學院七號樓現地創作暨聯展現場
​F
irst time created Fiery Ink work in BeiJing 
​Central Academy of Fine Art(CAFA)and joint exhibition.
Picture
Picture
火墨.郭熙《早春圖》no.1裝置與行為表演
​Fiery Ink,
Replacing The Guo Xi 's Early Spring,  No.1  , performance and stallation
宣紙,灼宣紙炭灰,灼宣紙捲,輸出圖片
 Paper ash on Chinese hand made paper, digital print, and paper rolls on the ground


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  • Home
  • News
  • Press
  • Artworks
  • CV.
  • Exhibitions
    • 個展 solo exhibition
    • 聯展 Group Exhibition
  • Publications & essay
  • Poetry
  • Contact