袁慧莉|Yuan Hui-Li|Official Site
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2013-2017

時間之漬

The Ink Traces of Time (More is Less)

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Statement

圖片
2017
時間之漬No.9
More Is Less No.9
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​106x66cm

圖片
2017
時間之漬
No.8
More Is Less No.8
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm

圖片
2009-2017
時間之漬No.5
More Is Less No.5
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm

圖片
2009-2017
時間之漬No.5(款題部分)
More Is Less No.5(Detail)
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm.


图片

​2014
時間之漬No.4
More Is Less No.4
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​65.5x134cm

图片

2014
時間之漬No.3
More Is Less No.3
蟬翼宣.彩墨
color and ink on Chinese handmade paper

104x​65.5cm

圖片








​​2007-2017
時間之漬 No.7
More Is Less No.7
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm

圖片
​​2007-2017
時間之漬 No.6
More Is Less No.6
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm.


图片










​2013
時間之漬 No.1
More Is Less No.1
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​65.5x66cm

圖片
2013
時間之漬 No.2
More Is Less No.2
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​65.5x66cm
圖片
2013
時間之漬 No.15
More Is Less No.15
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​65.5x66cm
圖片









2017
時間之漬 No.14
More Is Less No.14
蟬翼宣.彩墨
color and ink on Chinese handmade paper

​134x66cm

「她試圖把對石頭的物性探討,視作為山水理念物化最基本的存在本質,而這裡的「物」對象,不是指稱特別、個別物,而是我們人類日常生活可知覺、可思考的等等稀疏平常的對象物。而這樣的「物」是脫離具體的存在,不具有著人類固有思考型態,當它做為山石本質的「物」,是在時間內存在的經驗對象(客體),同時也是時間、空間的對象。」---文真姬, 2014
​“…she attempts to explore the thingness of rocks as the fundamental element of existence for materializing the landscape concept. The target “object” here doesn’t refer to a special, individual matter, but an ordinary thing in the daily lives of humans that can be perceived and contemplated. This sort of “object” is removed from its concrete existence, does not have the inherently human thought processes. It is an object with the nature of rocks, and a target (object) of experience that exists in time, as well as an object of time and space.” ---Art critique by Moon Jung-hee, 2014

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